A-Z Music Glossary & Dictionary
Clear, expert definitions for music theory terms, acoustic physics, audio synthesis parameters, rhythm subdivisions, and performance notation.
Absolute Pitch (Perfect Pitch)
theoryThe rare ability to identify or recreate a given musical note without needing a reference tone.
Accidental
theoryA musical sign (sharp ♯, flat ♭, natural ♮) indicating a momentary alteration of a pitch outside the key signature.
ADSR Envelope
audioAttack, Decay, Sustain, Release — the four parameters defining how a sound's amplitude evolves over time in audio synthesis.
Allegro
rhythmA brisk, lively, and fast musical tempo, typically ranging between 120 and 156 Beats Per Minute (BPM).
Analogue Synthesis
audioSound generation using analog electronic circuitry (oscillators, filters, envelopes) rather than digital sampling.
Arpeggio
performanceA broken chord where the individual notes are played in succession rather than simultaneously.
Atonality
theoryMusic that lacks a central key, tonal center, or harmonic hierarchy.
Bar (Measure)
rhythmA segment of time defined by a given number of beats, demarcated by vertical bar lines on a musical staff.
BPM (Beats Per Minute)
rhythmThe standard unit for measuring tempo, indicating how many quarter-note beats occur in one minute.
Bridge
performanceA contrasting section in song structure that connects the verse and chorus, introducing new harmonic and melodic content.
Cadence
theoryA harmonic sequence of two or more chords that concludes a phrase, section, or piece of music (e.g., Authentic, Plagal, Half Cadence).
Capo
instrumentsA device clamped onto the fretboard of a stringed instrument to shorten the playable string length and raise the pitch.
Chord
theoryAny harmonic set of three or more distinct pitches sounded simultaneously.
Chord Progression
theoryA succession of chords played in sequence that forms the harmonic foundation of a song.
Chromatic Scale
theoryA scale comprising all twelve pitches of the equal-tempered octave, spaced evenly in semitones.
Circle of Fifths
theoryA geometric representation of the relationships among the twelve tones of the chromatic scale, key signatures, and relative major/minor keys.
Diatonic
theoryPertaining to scale degrees or chords derived strictly from a standard seven-note major or minor scale without accidentals.
Diminished Chord
theoryA minor triad with a flattened fifth degree (Root - ♭3 - ♭5), creating a tense, unstable harmonic sound.
Dorian Mode
theoryThe second mode of the major scale (Root - 2 - ♭3 - 4 - 5 - 6 - ♭7), characterized by its dark yet uplifted jazz-minor quality.
Dynamics
performanceThe variation in loudness between notes or phrases in music, annotated from Pianissimo (pp) to Fortissimo (ff).
Ear Training
theoryThe process of developing a musician's ability to identify pitches, intervals, chords, and rhythms purely by hearing.
Equal Temperament
audioA tuning system in which the octave is divided into twelve equal logarithmic semitones.
Fast Fourier Transform (FFT)
audioAn algorithm that converts a time-domain audio signal into its constituent frequency spectrum, used in digital tuners.
Fretboard
instrumentsThe wooden surface on the neck of a guitar, bass, or ukulele inlaid with metal frets to define pitches.
Fundamental Frequency (f0)
audioThe lowest frequency produced by a vibrating harmonic sound source, determining its perceived pitch.
Glissando
performanceA continuous, smooth glide from one pitch to another across intermediate notes.
Grace Note
performanceAn extra, unessential note printed in smaller type used to ornament a main melodic pitch.
Harmonic
audioAn overtone frequency that is an integer multiple of the fundamental frequency.
Headstock
instrumentsThe component at the top of a guitar neck holding the tuning pegs and machine heads.
Hz (Hertz)
audioThe SI unit of frequency, equal to one cycle per second. Standard concert pitch A4 is set to 440 Hz.
Interval
theoryThe pitch distance between two musical tones, measured in semitones or scale degrees (e.g., Perfect 5th, Major 3rd).
Inversion
theoryA rearrangement of the notes in a chord such that a pitch other than the root occupies the lowest bass note.
Ionian Mode
theoryThe first mode of the major scale, identical to the standard diatonic major scale.
Key Signature
theoryThe arrangement of sharp or flat symbols posted on a musical staff to dictate the primary scale of a composition.
LFO (Low-Frequency Oscillator)
audioAn electronic oscillator operating below 20 Hz used to modulate parameters like pitch (vibrato) or cutoff (tremolo) in synthesizers.
Lydian Mode
theoryThe fourth mode of the major scale, distinguished by its raised fourth scale degree (Root - 2 - 3 - ♯4 - 5 - 6 - 7).
Major Scale
theoryA diatonic scale constructed with the step pattern: Whole - Whole - Half - Whole - Whole - Whole - Half.
Metronome
rhythmA device or software clock that produces steady, audible clicks at a set tempo to aid musical practice.
MIDI (Musical Instrument Digital Interface)
audioA standardized digital protocol allowing electronic musical instruments, controllers, and computers to communicate.
Mixolydian Mode
theoryThe fifth mode of the major scale, featuring a flattened seventh degree (Root - 2 - 3 - 4 - 5 - 6 - ♭7).
Modal Interchange
theoryThe harmonic practice of borrowing chords from a parallel mode or minor scale key.
Natural Scale
theoryThe natural minor scale (Aeolian mode), containing scale degrees: Root - 2 - ♭3 - 4 - 5 - ♭6 - ♭7.
Nyquist Frequency
audioHalf the sampling rate of a discrete signal processing system, defining the highest reproducible audio frequency.
Octave
theoryThe interval between one musical pitch and another with double or half its frequency (12 semitones).
Overtone
audioAny resonant frequency higher than the fundamental pitch of a musical sound.
Pentatonic Scale
theoryA five-note musical scale widely used in blues, rock, folk, and traditional world music.
Polyphony
theoryMusic consisting of two or more independent melodic lines sounding simultaneously.
Pulse Width Modulation (PWM)
audioA synthesis technique involving varying the duty cycle of a square waveform to create rich, chorused timbres.
Relative Pitch
theoryThe ability to identify or recreate a musical note by comparing it to a known reference pitch.
Resonance (Q)
audioThe boosting of frequencies around a filter's cutoff point in a synthesizer.
Roman Numeral Analysis
theoryA method of designating chords using Roman numerals to denote their scale degree and harmonic function.
Sample Rate
audioThe number of audio samples recorded or played per second, typically 44.1 kHz or 48 kHz.
Semitone (Half Step)
theoryThe smallest pitch interval commonly used in Western music (1/12th of an octave).
Subdivision
rhythmThe division of a primary beat into smaller rhythmic units (e.g., eighth notes, triplets, sixteenths).
Sustain Pedal
instrumentsA foot pedal on a piano or synth that lifts damper felts, allowing played notes to ring freely.
Syncopation
rhythmA disturbance or interruption of the regular flow of rhythm by stressing off-beats or weak beats.
Tempo
rhythmThe speed or pace of a musical piece, measured in Beats Per Minute (BPM) or specified with Italian terms.
Timbre
audioThe distinct quality or tone color of a sound that distinguishes different instruments playing the same pitch.
Transposition
theoryThe process of shifting a collection of notes or a song up or down in pitch by a constant interval.
Triad
theoryA three-note chord consisting of a root note, a third, and a fifth.
Velocity
audioA MIDI parameter representing how hard or fast a key or drum pad is struck, controlling volume and timbre.
Vibrato
performanceA regular, pulsating fluctuation of pitch used to add warmth and expressiveness to a note.
Voice Leading
theoryThe principle of linear motion between individual harmonic parts or chord voices to create smooth transitions.
Web Audio API
audioA high-performance JavaScript system for processing and synthesizing audio natively in web browsers.
Whole Tone Scale
theoryA six-note symmetrical scale comprised entirely of whole steps (2 semitones).
Put Theory Into Practice
Apply these definitions directly inside our interactive workbenches. Explore scale shapes, construct chord progressions, or train your ear with real-time feedback.